Friday, February 6, 2015

The Myth of the Cave by Kim Michael




The Myth of the Cave

By Kim Michael



September 1940--four teenagers looking for a lost dog stumble into a cave in the south of France and what they find there will forever change how we look at our own past.  The cave is known as La Grotte de Lascaux and what made the discovery so unusual was that the walls extending the entire length of the massive chamber were covered with more than 600 drawings; extraordinary drawings in both detail and beauty, drawings that would easily compete with those of the most highly skilled artesians of today.  And yet amazingly, the drawings were not only old, even by today’s standards of what we consider old to be, these drawings were “ancient”.  They predated the Dead Sea Scrolls and the Pyramids of Egypt by literally thousands upon thousands of years.  In fact most experts now believe the drawings to be no less than 17,000 years old.  So who made the drawings and why?   
Anthropologists wrestling with this question for the last sixty plus years now believe that the creators of these amazing artworks were actually the early Paleolithic inhabitants of the area, a race of people that before the stone age.  Based on artifacts that were left behind it has even been suggested that the early dwellers may have considered the cave to be a sacred place; perhaps even a “magical” place. 
When I saw the pictures the thought occurred to me, “What would make a cave, or for that matter, a wall of drawings--“magical”?  Art that commemorates historical events is not magical.  If the intention of this art was to memorialize events of a people who had no written language, the cave and its drawings may have had a special significance, but it would not be considered magic. 
Another theory that has been put forth through the years is that when fires were used to light the chamber that the drawings on the walls would appear to move, or more to the point, come alive.  As interesting as the premise sounds, it is hard for me to believe that these accomplished artisans would really have mistaken the shifting light of a fire for anything but what it was.  That coupled with the fact that the drawings were in caves to begin with, meaning many were probably created by firelight would alone suggest to me that their creators probably had more than a passing understanding of flickering light and stationary pictures.    
No, for me to believe these early inhabitants thought something about the cave was magic, something more sophisticated had to be involved.  Then while looking over one of the many pictures depicting a tribal hunt, the light suddenly went on in my brain and in that moment, I saw it…the magic. 
Now, to understand this, you do not need to see the picture I saw, or the cave that it is in for that matter, but you do need to imagine yourself, seventeen thousand years ago, standing in front of the picture and looking at it.  The first thing you would notice is the amazing detail.  You can literally see everything, what the terrain looked like, the warriors crouching at their stations as a stampede of animals rush between them.  And then the kill, every detail frozen in a single moment so deftly displayed that you actually see the actual methodology they used; and then the successful outcome, the animals as they are field-dressed and carried back to the village. 
But where is the magic you may ask?
Consider now, as you stand looking at the drawing, that it is not the day after the great hunt, but the day before!  The great “magic” of the cave, I believe, was the belief that anything drawn on the walls would become “real”.  But the great magic of the cave was also the great myth of the cave; in that the magic was not in the walls, or the paint, or even in the cave itself, but rather, in the hearts and minds of those who had made the drawings.  The magic was the “planning” of the picture, and the more thorough that process became the more likely it would be that the magic would happen.  That same magic exists today though we call it by other names, “business plans” and “goal setting” or mapping out our dreams. 
Until we take an idea to the next stage and remove it from the medium of our mind and give it life by committing it to paper, mapping out the details and making it real, an idea will remain only that, an idea.  But when we take the magic next step, the magic of the cave will begin to happen and "The Myth of the Cave" will cease to be a myth.

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